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8: The Warrior pose helps bring the body back to center. |
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1:Janusirsasana addresses tightness in the upper thoracic spine. |
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2-4:Working the upper thoracic with neuromuscular therapy entails
attention to the levator scapular, erector spinae, rhomboids, trapezius
and latissimus dorsi. |
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5:This client's posture pattern shows evident misalignment off the
coronal plane. |
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PHOTO
6(top): Diminishing the pain pattern precedes working toward alignment.
PHOTO 7(bottom): Next, attention is given back to the pelvis. |
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9:A good preventative exercise is pelvic stabilization, as shown here. |
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10: Authors Karin Stephan and Randy Payne demonstrate assessing horizontal
planes. |
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11: The Utthitha Trikonasana pose helps strengthen the pelvis. |
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12: The Ustrasana pose also strengthens pelvic muscles. |
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The Assymetric Body
Iyengar Yoga Neuromuscular Therapy
By
Karin Stephan & Randy Payne
Photos by Martin Branding
Many therapists know first-hand the therapeutic value of yoga and neuromuscular
therapy. Consider what might happen if the fundamental laws behind the
two disciplines were combined to incorporate their very best principles.
The wonderful results of this combination are what many therapists are
stumbling upon, a process we've called Balancing the Asymmetric Body.
Using Paul St. John's method of neuromuscular therapy (which works on
the interrelatedness between muscles, ligaments, fascia, soft tissue and
the nervous system) and Iyengar Yoga (named after the teacher, B.K.S.
Iyengar who has a Yoga Institute in Pune, India) a complementary adjunct
was realized.
With his brilliant insights into the body, Iyengar's teachings are grounded
in a profound understanding and appreciation of alignment and balance
in the structure of the human form. The work and teachings of St. John,
with his clinic in Seminole, Fla., is equally grounded in a deep understanding
of the nature of alignment and symmetry within the body.
Interfacing the work of these pioneers gives us rich insights into how
we stand, sit and move in space and time.
The ultimate purpose of both Iyengar Yoga and neuromuscular therapy is
to balance the outer body with the more subtle energies of the inner body
in order to create an enhanced feeling of harmony, gracefulness and poise.
St. John defines this balancing process as "the science by which
homeostasis is brought about between the nervous system and the musculoskeletal
system." Iyengar describes it as "the dawning of the light of
the spirit" within the body and the mind.
The expression, "The Asymmetric Body" grew out of a respect
for the body as it is, not as it should be. In order to make progress,
we must first accept things as they are. In order to accept things as
they are, we must first have the courage to look at things directly -
as though in a mirror and without the mask of illusion.
We developed our approach - Asymmetric Body Balancing - through an evolution
of our mutual understanding of these two disciplines. One of the goals
of our work is to take the mystery out of pain and why we have pain. Using
the tools of observation, touch, pressure, movement and exercise, we seek
not so much to heal our students and clients as to awaken within them
the means by which they can heal themselves. Perception of the problem
modifies the problem. Fully understanding the relationship between awareness
and internal change is what the great Indian teacher and philosopher Krishnamurti
calls "the awakening of intelligence."
Here we will describe how yoga and neuromuscular therapy intertwine in
a concrete and practical way. We will limit these concepts to three: gravity
and symmetrically diagonal asymmetry, misalignment and imbalance off the
coronal plane in relationship to injury, and the pelvis as fulcrum. We
will then explain how we go about our work in an effort to unleash the
inherent healing energies within the body. Our ultimate goal is to help
clients to first diminish and/or alleviate any pain or discomfort they
are feeling, and secondly to find and preserve homeostasis and equilibrium
in their daily lives.
This is what we call Balancing the Asymmetric Body.
Gravity
& SymmetricalLY Diagonal Asymmetry
Octavio Paz, the Mexican poet and Noble Laureate, has a beautiful line
about gravity in a poem titled Boy and Top. This exquisite image could
be a metaphor for our bodies:
Each time he spins it,
It lands, precisely,
At the center of the world.
The body, like this top, also has a center of gravity and is always attempting
to bring itself back toward this center. Our muscles work extremely hard
to do this and to make sure that if we were to spin, even very fast, we
would never topple.
This occurs with some physical sacrifice to the body - unless we are perfectly
symmetrical, which we're not. Almost all of us have one kind of asymmetry
or another. Asym-metry implies a pull of the muscles and the bones in
one direction or the other away from the center or median plane. This
happens either in a side-to-side direction or a front-back direction.
The side-to-side asymmetry is a misalignment off the midsaggital plane
- the plane comprised of the middle of the eyes, nose, throat, sternum,
navel, hara and perineum. The front-back direction is a misalignment off
the coronal plane - the plane comprised of the center of the ears, armpit,
head of the femur bone, and the center of the ankle. Any misalignment
off either of these planes is known as a misalignment off the median plane,
which causes an overstretch in one part of the body and an understretch
in another.
This misalignment off the median plane also causes muscles to contract
more in one part of the body than the other, simultaneously establishing
a counter-contraction on the opposite side of the body. This counter-contraction
occurs in an area of the body which is almost perfectly diagonal to the
first contraction. The width and length of these two opposing muscle sets
will, by and large, be the same. Although fairly symmetrical, these contractions
will nonetheless be the by-product of an initial asymmetry. The body is
actually creating the illusion of symmetry at its own cost; pulling or
contracting muscles to create a misguided "balance." This is
why the phenomenon is referred to as symmetrically diagonal asymmetry.
These pulls and counter-pulls occur in the body so that it can establish
its rightful place in the world - perfectly vertical to the floor. Were
we to study the body very closely, however, we would see that it is made
up of muscle contractions and muscle releases which zig/zag from top to
bottom and cross over each other at various intervals. Some of these patterns
are obvious. Many, however, are imperceptible to any but to a highly-trained
eye.
Take the back, for example, a part of the body where these muscular counterpoints
are most apparent. If the upper right thoracic muscles contract due to
a slight curvature of the spine, then the lower left lumbar muscles create
a counter-pull and would also contract.When someone with this condition
first begins to stretch, his back will feel stiff and rigid all over,
yet it will be difficult to feel where the tightness is coming from. As
his yoga poses improve, however, it will be possible to sense a direction
of the pulls.
Lynne Paterson, a student of Iyengar Yoga for more than 20 years, has
exactly this type of dual contraction. Paterson's upper right shoulder
area is contracted due to a slight scoliosis; her lower left lumbar area
is also contracted in order to balance the pull on the upper right side.
In addition, her right iliac bone rotates downward more than her left.
As a result of this symmetrically diagonal asymmetry, Paterson has suffered
chronic pain in her right buttock and hip for years. When she stands,
she experiences the difference in these two sides of her body as only
a "subtle" asymmetry. When she moves into her yoga poses, however,
she perceives the difference as a "dramatic" asymmetry.
Incorporating
the yoga
From a yoga perspective, the pose Janusirsasana - putting your head to
your knee - is highly recommended to free up this dual contraction in
the back (Photo 1).
Since each side of the body is different, Janusirsasana can address these
areas of difficulty separately. By straightening the left leg and bending
the right, the client protects the tightness of the hamstring being affected
by a counter-pull from the upper back. To free up the muscles in the upper
right side of the back when you begin to stretch, you can place a 15-pound
sandbag over the right inner thigh or press the outer right thigh to the
floor (perhaps with a blanket underneath it) and roll the shin bone inward.
In both neuromuscular therapy and yoga it is said: "First you lengthen,
then you strengthen." Hence, the initial movement would be to try
and lengthen the upper muscles of the thoracic by extending the right
arm as far as possible out of the scapula slightly to the inside of the
left foot and then eventually to grab the foot as in the picture.
This action can be enhanced if a yoga therapist presses the protruding
thoracic area with a forearm or hand. This pressure allows for the spine
to extend more and gives the correct direction to the muscles in the back.
The left hand holds the ribs in place, lining up the right and left sides
of the body in a parallel fashion, thereby pulling the right concave ribs
back into place. This helps students develop a body memory of correct
alignment when they work on their own.
To help relieve pain in a client's upper right thoracic area using neuromuscular
therapy, the focus is primarily on working the levator scapular, the erector
spinae, the rhomboids, the trapezius muscles and latissimus dorsi (Photos
2-4). Before beginning the crux of the work, however, it is important
to investigate all the muscles involved in the shoulder girdle and to
eliminate those muscles not part of the pain pattern. The muscles which
are involved in the pain pattern will be ischemic and will be painful
to the touch.
Once the ischemic areas have been determined, and the pain pattern diminished,
utilize effleurage to make those areas more responsive and pliable with
the intention of creating symmetry. By making the muscles more supple,
malleable and permeable, the body can then set about to create symmetry.
In neuromuscular therapy work, the direction of the therapist's hands
is largely guided by the feedback of the client. The importance of this
feedback system is tantamount. The primary intention is to have clients
respond to every touch. This is one of the fundamental differences between
neuromuscular therapy and traditional massage where the goal is to encourage
the client to become very relaxed, eventually detaching themselves even
from the voice of the therapist.
In neuromuscular therapy, the process of staying in contact with the movement
and direction of the therapist's hands is what makes this technique interactive.
This work requires equally as much from the client as from the therapist.
Misalignment
& Imbalance off the Coronal Plane
Kevin, a 39-year-old triathlete, came to find this work in an attempt
to eliminate pain lingering from three knee surgeries. When knee problems
are involved in injury, it is important to first look at the client's
posture pattern in relationship to the coronal plane. What was apparent
in Kevin's case was that his right pelvis rotated forward, meaning his
right sacroiliac joint was misaligned (Photo 5). When the right ilium
is rotated forward even more, it causes hyperextension in the knee joint,
a lengthening of the quadriceps and further pressure on the knee joint.
This additional pressure on the joint is what created the pain pattern
in Kevin's knee.
In order to allow the knee joint to heal, it is essential to stabilize
the pelvis by creating symmetry in the sacroiliac joints. In neuromuscular
therapy treatments, the initial focus, however, is to eliminate or diminish
the pain in the knee joint. The work which focuses on diminishing the
pain pattern precedes the work which focuses on bringing about alignment
to the pelvis and the rest of the body.
Work on this client's knee included palpating the quadriceps and the tissue
surrounding the hip to determine any build-up of lactic acid or nodules
which caused the muscles to contract. This involved palpating the tendon
of the gracilis, the sartorius and semitendinosus muscles, each of which
have the same common tendon. With knee problems, injuries tend to happen
more often on the inside of the knee, partially because of this common
tendon. The therapist should begin by working on the attachment of these
three muscles, then move to the outside of the knee, including the iliotibial
band and the connective tissue which surrounds the lateral portion of
the knee (Photo 6).
Once the pain pattern has diminished, the focus returns to creating alignment
in the pelvis (Photo 7). Here the work begins in the abdominal area, on
the rectus abdominis and the psoas muscles, and the iliacus and the inguinal
ligaments.
When there is pressure on the sacroiliac joints, added pressure is felt
on all the other joints in the body and more specifically on the side
of the body where the sacroiliac joint is misaligned. Releasing these
muscles takes pressure off the ilium, allowing the sacroiliac joints to
become realigned, returning the pelvis to stabilization which will lessen
pressure on the knee.
Incorporating
the Yoga
Many yoga poses, particularly the standing poses, help to stabilize the
pelvic area and bring the body back to the center of the coronal plane.
Virabadhrasana I, or Warrior I, is a perfect example (Photo 8). This pose
teaches the body to learn to bring the sacroliliac joints down, lift the
iliac bones up, release contraction in the quadriceps which pull on the
knee caps, and lengthen both the right and left sides of the flanks, notably
in the area which Iyengar calls the "armpit chest."
The client's feet should be approximately 4 1/2 feet apart, the right
foot turned in and the left foot out. Keeping the back leg only slightly
bent in order to pull the sacrum down, the client bends the left knee
into a 90-degree angle. This causes the pelvic bones to pull up and away
from the groin, while the sacroiliac joints descend.
The yoga therapist, using her hands to press against the triceps, pulls
the arms up, encouraging an upward direction in the latissimus dorsi,
while the ischium bone of the left buttock descends and the inner right
leg stretches back into the heel. This creates an equal and symmetrical
lengthening of the sides of the trunk. This has the effect of drawing
the rib cage in and freeing the arms. Little by little the pelvis begins
to stabilize as the quadriceps loosen and the sacroiliac joints descend.
This in turn brings the pelvis into a parallel position.
This same yoga move can also be done while lying on the floor. The therapist
should hold the client's ribs down while the client stretches the heels
out and the arms over the head. As a result of his work with the therapy,
Kevin is able to stand straighter, and realize a greater connection down
through the medial part of his knee all the way to the right big toe.
Even his swimming stroke has improved. "I have a greater ability
to finish my stroke and recover my arm in the crawl by using shoulder
and mid-back flexibility vs. turning my whole body with each stroke,"
Kevin said.
"What we are trying to do, I believe, is to look at cause and effect
and do it all in reverse order. It's like dropping a pebble into a pool
of water and the disturbance radiates out from that pebble. We've got
this dispersed energy, like those ripples in the water, in all these various
parts of our bodies and we have to address each ripple before we can come
back to the center."
THE
PELVIS AS FULCRUM
In French, the word for pelvis is "bassin," meaning basin. According
to Webster's Dictionary, a basin is either a bowl, or any wide, shallow
container for liquid. As a receptacle, it has holding power and its circumference
is always parallel to the ground.
If we think of our own pelvis, however, most of the time our chest is
either sinking into it, or the pelvis itself is pouring out over the tops
of the thighs, like a tipped-over bowl. It is rarely, if ever, parallel
with the ground - the way a hulahoop would be as it swirled around our
hips.
When combining yoga and neuromuscular therapy, the work begins and ends
with the pelvis. This is because the pelvis is our fulcrum. The word fulcrum
comes from the Latin "fulcire," meaning to prop, to support.
The fulcrum is not only a support, but also, according to Webster, "a
means of exerting influence." This influence, as evident in Kevin's
case, can be either positive or negative, depending upon how stable our
pelvis is.
When the pelvis is rotated forward, it compresses the sacroiliac joints
- the joints between the sacrum and the ilium bone. When we walk, these
bones articulate in such a way that they allow movement to occur. When
our pelvis rotates forward, the joints get too much pressure on them.
When there is too much pressure on a joint, the proprioceptors, or nerve
receptors inside the joint, start firing in reaction to the pressure.
To protect the joint, the muscles tighten. If the pressure is not relieved,
the muscles begin to spasm, diminishing the blood flow to that area. That
is a signal to the body. If we don't hear that signal, the muscles spasm
and lock in order to protect the joint. That's when people's backs go
out, or give way.
In neuromuscular therapy, there are certain movements to be practiced
as part of the treatment and which serve to prevent all of this from happening.
These movements are known as pelvic stabilization exercises.
Pelvic
Stabilization
Before beginning these exercises, it is important to determine which leg
is longer as that indicates where movement begins. Clasp your hands around
the tibia bone below the knee (Photo 9), then bring the knee back toward
your chest and hold for two seconds. This stretches the hamstring muscles.
Next, fully extend your arms and press the knee into the palm of the hand
and hold that pressure for eight seconds. This process tightens your hamstring
muscles which attach to the ischium bone and create a pelvic tuck. This
realigns your sacroiliac joints. Then release the leg and do the same
procedure on the opposite leg. Alternate five times starting with the
longer leg and ending with the longer leg. By doing this first thing in
the morning before you get out of bed, it allows you to start your day
with your joints even. Do it again before going to bed, allowing you to
end your day with your joints even. Do this procedure at least three or
four times a day especially before and after any exercise.
Noa Hall, a student of Iyengar Yoga, incorporated pelvic stabilization
exercises into her yoga practice after taking a workshop on The Asymmetric
Body. The results were telling:
"I begin my practice every day with these exercises. I feel as though
they get me started in an alignment I didn't have before. It's as though
these exercises ground me for the day because I get started in the right
place."
With yoga, establishing horizontal planes in the shoulders or pelvis by
stabilizing the pelvis allows the asymmetrical vertical planes to have
a reference point. One can establish horizontal planes by sitting on one's
heels with the knees and inner thighs against each other or by sitting
cross legged or in lotus position.
The simplest way to assess whether or not the hips and shoulders are parallel
is to either sit in front of a mirror or sit across from someone else
with the middle of the bodies lined up with one another (Photo 10). Seated
positions such as this make it easy to create horizontal planes in the
body because gravity doesn't compromise the horizontal plane as it does
when standing. The therapist can also put a folded blanket underneath
the ischism bone of the lower side of the pelvis in order to raise it
to the level of the other side.
Establishing the horizontal plane this way allows the muscles in the front
and back of the trunk to perceive more accurately which areas are tight
and contracted, and to detect which are weak and non-supportive. If you
sit this way for two or three minutes, you will see that the tighter areas
of the back become uncomfortable and the weaker areas quickly begin to
tire.
When there is asymmetry in the back, the muscles will take the path of
least resistance; like flowing water, they travel around the area of difficulty.
In ways often hidden to us, the muscles of the back and abdomen shorten
in certain areas, and lengthen in others to alleviate discomfort. When
we stabilize the pelvis and shoulders in this manner, we can observe these
tendencies in our bodies. We can learn how to soften the tight areas and
strengthen the weak. Clients can bring this understanding directly into
their yoga poses.
Poses to strengthen the pelvis include the Utthitha Trikonasana (which
means to stretch the body intensively in three triangles). Here, the therapist
holds a short stick against the iliac bones of the student practicing
the standing pose (Photo 11). Because the pelvis is stabilized, the left
iliac bone being on a horizontal plane with the right, the client can
stretch the muscles of her back and her abdomen on either side of the
spine evenly in the direction of her head and away from her sacroiliac
joints.
Another yoga pose which serves to strengthen the muscles around the pelvis
is Ustrasana, meaning camel. In this pose, the hips thrust forward, yet
not beyond the quadriceps, and the spine arches up so that the upper clavicular
area and sternum are parallel with the ceiling (Photo 12). This position
causes the gluteus maximus muscles to tighten and become much stronger,
thereby enabling the pelvis to remain in place more easily. It also serves
to lengthen the quadriceps.
Conclusion
Making use of the art and science of yoga and neuromuscular therapy creates
subtle shifts within the body which gradually begin to permeate the conscious
mind. These shifts often have a great deal to do with a newly perceived
sense of direction in how the body moves, how the muscles feel and how
the bones and joints line up. For some, this sense of direction can be
felt even after the first neuromuscular session. A remark made by a long-time
student of Iyengar Yoga who had neuromuscular work incorporated into his
therapy, spoke volumes: "Afterwards my body felt very supple. There
was a direction to this work which I haven't normally felt when I've been
massaged before. [With massage], my body often felt loose, but this felt
different...it was as though it had given me a new direction to move in."
This client was able to sense this new direction partly by how well he
stayed with the movement and direction of the neuromuscular therapist's
hands. "If you're quiet inside, while still responding to his touch,
you begin to follow what he's doing. You begin to observe how he goes
about - from the very start - turning the pain pattern around. He's very
skillful."
This same sense of direction manifests in the yoga work as well when one
enters so deeply into the body that he learns to "see" asymmetries
kinesthetically. That "seeing" alone brings about an imperceptible
adjustment. This can even occur during deep relaxation, for example, simply
by symmetrically spreading the intelligence of the mind equally to the
right palm of the hand and the left palm of the hand, observing a similar
sensation of warmth in both palms simultaneously. That infusion of the
awakened mind begins to align the body as well. This is what is known
as the internalization of symmetry. Hall describes the heightened awareness
this way: "I now know what Karin meant when she said in the beginning
of her class that your mind's awareness is almost getting you half-way
there' in any part of your yoga poses. I understood that deeply when she
said that just the mere perception of the asymmetry changes the asymmetry
automatically."
As Rumi,
the 15th century mystic and poet said, "I am pain and what heals
pain." Clients and students of this work could say, "I am imbalance
and what heals imbalance."
When working with the asymmetric body, this inner work on the part of
the student or client is as important as the outer work on the part of
the teacher or therapist. This is what is known as the vital and lively
exchange between the healer and the person being healed.
Healing is a result of this constant conversation between the two - what
Krishnamurti calls the observer and the observed, the teacher and the
taught, the seer and the seen. Balance occurs at the center of gravity
of this rich exchange. Like a top spinning, like dancers dancing, like
two lovers whispering, the truth lies in what occurs in the middle.
This is what is called "Asymmetric Body Balancing."
Randy
Payne is a certified neuromuscular therapist, St. John method, and the
father of two boys, Julian and Arion. He has been a student of Paul St.
John's for more than 15 years and considers himself a continuing student
of St John's work. Payne has been in private practice since 1985. His
massage therapy focuses on the healing of pain and discomfort due to injuries
and/ or misalignments, and he draws on a vast clientele from all over
New England, and in particular Boston and the surrounding area. Payne
lives and practices in Cambridge, Mass. and can be reached at 617/441-9667
or by e-mail at RPayne5150@aol.com.
Karin Stephan has been studying and practicing yoga since 1969 and has
been teaching Iyengar Yoga since 1973. She offers group
classes at the B.K.S. Iyengar Yoga Center of Greater Boston and at her
loft in Cambridge, Mass. She also has a bed and breakfast where
people come from all over the United States to have private yoga therapy
sessions with her and neuromuscular therapy treatments with Payne.
Stephan can be reached at 617/497-0218 or e-mail to yogamacro@fastdial.net.
Karin and Randy offer seminars and workshops together on "Alignment
and the Asymmetric Body." To arrange a workshop in your area,
or for more information regarding Asymmetric Body Balancing, call
617/497-0218 or e-mail yogamacro@fastdial.net.
Web References
Paul St. John: www.stjohnnmtseminars.com
B.K.S. Iyengar National Association of the United States: http:/comnet.org/iynaus/
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